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At the beginning of 1966, Denise René
planned to publish in a hundred copies a book written by Robert
Pinget and illustrated by J.D. Pinget suggested rather than
an old lext with a frontispiece a kind of spar between the author
and the illustrator: " I write a text, you illustrate it by a drawing,
in response to which I write a new text that you illustrate by a
second drawing. And so forth...
- It will never end!
- We shall see... "
Indeed, J.D. and Pinget exchanged ter. texts and drawings
over eight months. Later on, in autumn, J.D. etched
his drawings at Lacourière et Frélaut. From
the outset, the dominant mood was one of trickery, since the painter
and the writer gave each other less an answer than an incitement
" to discover themselves ". Incidentally, Pinguet also painted before...
He had the last word in the end and wrote to J. D. in return for
his tenth drawing:
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| " The means implemented to discover the
thing had no hold over it. As each player gave himself
over to it only partly, he took refuge in his ivory tower, eventually.
The dialogue ceased as soon as art asserted its demands.
The tragedy will soon happen, far from chatting. [Robert
Pinguet and Jean Deyrolle, The Thing, foreword by Georges
Richar.Paris: Denise René, 1967]. |
The hole texts, as well as J.D.'s ten engravings were fully
reproducd in Art Press, issue 39 July 1980. |